Source: http://perezhilton.com/2011-09-28-new-law-allows-cubans-more-options-when-purchasing-cars
October 15 show will be streamed live over the Internet.
By Gil Kaufman
Lady Gaga
Photo: Jason Merritt/Getty Images
Even a dozen years removed from the White House, former president Bill Clinton still has that same superstar-attracting aura. That might explain why such bright lights as Lady Gaga, Bono and The Edge of U2, and Usher have signed on to perform at an October 15 party for Clinton at the Hollywood Bowl.
According to The Hollywood Reporter, details on the final list of performers and presenters are still being worked on, but an impressive list of movie and TV personalities are expected to sign on for the event, which is being billed as a celebration of the 10-year anniversary of Clinton's nonprofit William J. Clinton Foundation.
To date, the foundation has raised more than $10 billion for some of the ex-president's most cherished causes, including HIV/AIDS treatment, economic empowerment, food aid and global health initiatives. The show, which will also serve as a birthday party celebration for the former Democratic leader (who turned 65 on August 19), will be broadcast exclusively by Yahoo, which will stream "A Decade of Difference: A Concert Celebrating 10 Years of the William J. Clinton Foundation" worldwide to a potential audience of millions.
Clinton continues to travel the world doing good works, though he turned his attention homeward over the weekend when he participated in the 10th anniversary ceremonies of the September 11 terror attacks. He announced on Sunday that he will team with Republican House Speaker John Boehner in a bipartisan effort to raise the final $10 million needed to complete the Fight 93 National Memorial in Shanksville, Pennsylvania.
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A pesar de lo dicho ayer, Peter Mensch, manager del guitarrista Jimmy Page, se retractó totalmente en eso que la banda buscaría un reemplazo al ultragenial Robert Plant para seguir rockeando y toureándola por el mundo tras su show de 2007 en el O2 Arena de Londres por el poder de la música más sexual de la historia. No habrá más Led Zeppelin, no hay planes de que lo haya.
Mensch comentó: "Led Zeppelin se acabó. Si no los vieron en el 2007, se los perdieron. Probaron reemplazantes a Robert Plant, pero nada funcionó. Se acabó. No hay planes para continuar. Francamente, ojalá todos dejaran de hablar al respecto."
Los fans no están nada contentos, especialmente los británicos, considerando los precios delirantes de las entradas del show reunión.
¿Y a ti? ¿Qué te parece todo esto?
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Jennie Finch Jennifer Aniston Jennifer Gareis Jennifer Garner
Lil Wayne 'jumped on it,' Raymond v. Raymond writer tells Mixtape Daily.
By Alvin Blanco, with reporting by Rob Markman
Rico Love
Photo: TTLL
Behind the Beats: Rico Love
If more people read the credits behind some of R&B's biggest hits, Rico Love should be a household name. Born Richard Preston Butler Jr., the former Florida A&M University student is now one of the music industry's most-sought-after singer/songwriters.
After writing hits for Usher ("There Goes My Baby"), Beyoncé ("Sweet Dreams") and Diddy-Dirty Money ("Hello Good Morning"), to name a few, one of Rico's biggest hits to date is Kelly Rowland's "Motivation."
"It came about in a truly organic way," Rico told Mixtape Daily of the Jim Jonsin-produced "Motivation." "We had this meeting in New York: myself and Sylvia [Rhone] and Kelly. And they just were saying, 'We need to find that single; we need that big single.' Everybody was asking for an uptempo, actually.
"I flew down to Miami the next day, and that Tuesday, we got back in the studio, and Jim started playing these chords, and then coming up with these little sounds — the signature sounds that Jim comes up with. I just told him to lay it like a skeleton idea, and I jumped in the booth, and I started with the verse, and I kind of sang my way all the way through the record."
Rowland, formerly of Destiny's Child, was in the studio while Rico was laying down the reference track and made her regard for the song known immediately. "Kelly was there and watched the whole process," Rico recalled. "As soon as I finished singing the demo, usually an artist wants to live with it or listen to it for a little while. She just said, 'I want to cut it right now.' So she jumped in the booth, and we cut the record."
"Motivation" became the lead single for Rowland's third album, Here I Am, which was released in April. The song, which peaked at #1 on the Billboard Hot R&B/Hip-Hop Songs chart, features a verse from Lil Wayne.
"Lil Wayne got out of jail a few days later, and as soon as he got out of jail, [Rowland] went to see him, and he jumped on it," Rico explained. "It was the most organized situation ever. It was nothing contrived about it."
There's been nothing manufactured about Rico's accomplishments either. Starting his musical career as a rapper, he has signed former Roc-a-Fella rapper Young Chris to his Universal/Motown-distributed Division 1 label.
After leaving Florida A&M to pursue music, Rico caught the attention of Usher, and penned songs for the R&B singer, including "Throwback." Other artists soon benefitted from his songwriting, including T.I., Pleasure P and Mario. Rico takes pride in being versatile with his talents, preferring not to make specific songs intended for specific artists only.
"Sometimes, when you keep an artist in mind, you'll limit yourself," Rico explained. "You won't go a place that they probably would go because you're thinking, "Nah, she wouldn't say this," or "He wouldn't do this," or "He wouldn't say this," and "This melody is out of the way for them."
"When I get a chance to just get into the studio and just write music and just produce music and sit at the piano and tell a guy where I want to hear the chords and create the progressions and just freely make music, it's a lot more fun."
Lately, Rico has been back in the studio with Usher. In 2007, he was signed to the singer's former US Records via J Records. But his debut album was never released, and he and Usher went their separate ways.
But as Rico become a songwriting force, the two eventually started working together again. The first song they recorded was the Grammy-winning "There Goes My Baby" from 2010's Raymond v. Raymond. Now, Rico is working on Usher's forthcoming album and embracing the pressure of surpassing its predecessor's platinum sales and critical success.
"I feel like this is what separates the boys from the men," Rico said of working with Usher. "This week, we been creating records together. We had two mics, two headphones set up in the booth, and we just sit there and vibe out.
"These first few days have been amazing. We got four records cut so far that sound super amazing. I'm super excited about it. I'm just anxious for the world to hear it."
For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines.
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During band's rehearsal break for Sunday's Movie Awards, we put Foos to the test.
By Ryan J. Downey, with reporting by Jim Cantiello
The Foo Fighters' Dave Grohl
Photo: MTV News
UNIVERSAL CITY, California — Hard rock, heavy metal, hardcore and punk have long gone hand-in-hand with evil wizards, magic, vampires and werewolves. And with a collective sub-cultural pedigree that includes stints in the Germs, No Use for a Name, Sunny Day Real Estate, Scream and some band called Nirvana, you'd think the Foo Fighters — set to perform at Sunday's Movie Awards — would know their "Potter" from their Zeppelin. Certainly they can recognize a "wand" reference and pinpoint its origin?
Right? Before we put MTV News' magically crafted trivia to the band, it seemed safe to assume the Foos would accurately distinguish between the words of Harry Potter, a "Twilight" character and Led Zeppelin. But was their underground nerd cred blown to shreds? Read on — and click the video! — to see how the Foo Fighters fared when we caught up with them on the Universal Studios lot, shortly after they finished rehearsing their Movie Awards performance.
Our own Jim Cantiello played dungeon master as Dave Grohl, Nate Mendel, Taylor Hawkins, Chris Shiflett and Pat Smear were given a series of semi-famous lines and asked whether they originated with "Harry Potter," the "Twilight Saga" or the lyrics of hard-rock pioneers Led Zeppelin.
Here's a sampling of a few of those one-liners:
» "The elder wand, the most powerful wand ever made."
» "Why don't you let me be yours ever truly? Can I make your garden grow?"
» "You're lying, Dolores! You mustn't tell lies!"
Can you guess whether the lines above came from the "Potter" flicks, "Twilight" or Robert Plant?
Watch as the Foos try their best to do exactly that. Then tune in to the MTV Movie Awards on Sunday to catch the Foo Fighters rock the stage with their new single, "Walk."
Will wizards, vampires or dream thieves steal the 2011 MTV Movie Awards? Find out June 5, when the 20th annual show airs live at 9 p.m. ET/PT. Tune in at 7:30 p.m. ET/PT that night for the "America's Best Dance Crew" finale and Movie Awards pre-show, loaded with live action from the red carpet, exclusive movie clips and a special edition of "After Hours."
Related Videos Related Photos Related ArtistsSinger says her collaboration with Britney Spears and Nicki Minaj made a 'supergroup of three hot, strong women.'
By Jocelyn Vena, with reporting by Matt Elias
Ke$ha
Photo: MTV News
Earlier this week, Britney Spears, Ke$ha and Nicki Minaj dropped their femme-fatale-friendly remix of the Spears club track "Till the World Ends." The already fun song got super-charged thanks to Minaj's cutting verses and Ke$ha's recognizable vocals.
"I'm a massive fan of both the ladies I share the track with," K told MTV News on Wednesday at the ASCAP Pop Music Awards. "I wrote 'TTWE' for Britney with [producers] Dr. Luke and Max [Martin] and she killed it and I loved it, but I just thought a supergroup of three hot, strong women could just take over the airwaves."
Ke$ha went on to give props to both the ladies. "I'm such a massive fan of Britney and I'm such a massive supporter of Nicki and a fan, and chicks sometimes don't team up. I don't know why, but I'm, like, huge on the girl power, so I just wanted to make a power girl track take over."
The remix quickly won praise from fans who seem to think the new features step up the song's game. "You know, with the three of us, I wasn't necessarily surprised [people like it] because I'm such a massive fan of Nicki Minaj and obviously with Britney I'm a fan of it, [taking] myself out of the equation," she said. "I'm just happy people like it."
So did Ke$ha (who once sang backup for Spears) feel any pressure writing a song for Britney? "There was no pressure. Writing for somebody else is really fun 'cause I consider myself a songwriter first and foremost," she explained. "So it was so much fun to put my brain in the sexy Britney Spears brain and express myself almost as if I were possessed by her."
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Mars' 'It Will Rain' first song announced from upcoming 'Twilight' album.
By Kara Warner
Bruno Mars
Photo: Steve Granitz/WireImage
It's not enough that he's one of the most in-demand singer/songwriters working today, or that almost every song he cranks out is a chart-topper. Bruno Mars will now win over the millions upon millions of "Twilight" fans with "It Will Rain," which was announced as the first song on the "Twilight Saga: Breaking Dawn - Part 1." soundtrack.
Summit Entertainment broke the news via the "Twilight" Facebook page, along with a photo of the artwork for Mars' single.
The artwork looks like a painting, seemingly created with watercolors or oil paints. The picture depicts a brooding Mars in black silhouette, holding an umbrella in one hand, a bottle of something in the other. He's sitting in a chair, posture slightly slumped and legs spread out in front of him. The background is colorful, with swirls of paint dripping down the frame. "It Will Rain" is written in prominent thick black lettering to the right of Mars.
In knowing Mars' style, we expect the song to be sweeping, epic and possibly heart-wrenching. In being named to the illustrious ranks of "Twilight" soundtrack artists, the rising star and VMA nominee joins artists like Paramore, the Black Keys and Muse.
When we last checked in with "Breaking Dawn" director Bill Condon at Comic-Con, he confirmed they were putting serious thought into the crafting of the soundtrack, courtesy of composer Carter Burwell, who scored the first movie, as well as careful consideration of which acts to include. And while the director would not confirm Pattinson's inclusion on the soundtrack, he hinted that some of the musically inclined castmembers might lend their talents to a track or two.
"We're just figuring out [the soundtrack] now," Condon said during MTV News' "Breaking Dawn" Comic-Con takeover. "We have a lot of [songs]. We have like 15, I think."
Check out everything we've got on "The Twilight Saga: Breaking Dawn - Part 1."
For young Hollywood news, fashion and "Twilight" updates around the clock, visit HollywoodCrush.MTV.com.
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Fed Up (featuring Usher, Young Jeezy, Drake, Rick Ross)
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MTV actress recalls hilariously mistaking police car's flashing lights for brake lights on Saturday's episode.
By Lauren Kearney
Ashley Rickards as Jenna in "Awkward."
Ashley Rickards, the star of MTV's "Awkward.," can probably sympathize with her character, Jenna, whose many FML moments include having her classmates mistake an accident for a failed suicide attempt. On Saturday's episode of "When I Was 17," she recalls a hilarious run-in with the law that sounds like it was ripped from the comedy series.
"I was driving around my neighborhood ... stop at the stop sign and there's a cop behind me and his brake lights went on," Ashley remembers in the episode airing Saturday at 11 a.m. ET/PT. "It was a stop sign — the brake lights are going to go on.
"So I keep going down the road; half a mile ... a mile. Then all of a sudden, the sirens go off," she says.
While most people would agree that the blaring of a police car siren is quite possibly one of the most terrifying sounds on the planet, the suddenly panicked Ashley was sure she hadn't done anything wrong.
"So I pull over and he says, 'Do you realize I've been trying to pull you over for the past mile?' I'm like, 'No I just heard the sirens now.' And he was like, 'I didn't have the sirens on. I was flashing my lights.' I felt like such an idiot," she laughs.
"She didn't understand that the red on the top lights were different than the brake lights," Lisa, Ashley's mom, explains.
But the "Awkward." star still swears to this day that there were no blue lights flashing, just "exclusively the red ones." Honest mistake, Ashley. Brake lights can totally be on the top of a car too, right? Or something?
"When I Was 17" — this week featuring Wyclef Jean and Ashley Rickards — airs on Saturday at 11 a.m. ET/PT on MTV.
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Critics herald the baseball flick as 'the prime Brad Pitt movie.'
By Kara Warner
Brad Pitt in "Moneyball"
Photo: Columbia TriStar
On paper, "Moneyball" is a movie that sells itself. It's based on a best-selling book about our national pastime, the screenplay for which was adapted by Oscar winners Aaron Sorkin and Steve Zaillian, and it stars Brad Pitt, in all his handsome, charming splendor, as Oakland A's general manager Billy Beane. Throw in a killer supporting cast that includes Jonah Hill, Philip Seymour Hoffman and several real-life ball players, and you've got the makings of a hit.
With a 94 percent certified fresh rating on Rotten Tomatoes, "Moneyball" seems to be a solid winner with critics. So take an early seventh-inning stretch and settle in for some sports clichés as we sort through the "Moneyball" reviews!
The Story
"A sports-centric come-from-behind drama that harbors profound truths under its self-effacing grin of an exterior, 'Moneyball' is a movie of such loping, unforced ease and solid entertainment value that it's easy to take its gifts for granted. [Director Bennett] Miller barely puts a foot wrong in bringing to life the tale of Oakland A's general manager Billy Beane, who in 2002 — competing against teams with three times his payroll — sought to rebuild the slumping A's and revolutionize baseball recruiting using 'Sabermetrics,' a system by which players are chosen based on who gets on base most often. That approach sounds so simple as to be self-evident. But in 'Moneyball,' such logic runs afoul of Beane's old-school scouts, who are played in the movie by a colorfully grizzled collection of character actors and some real-life baseball veterans. Their banter, in which they refer to players' jaw lines and girlfriends while they decide whom to hire, lends 'Moneyball' a thoroughly enjoyable through-line of tough, vernacular wit. What's more, that plain-spoken charm couches a far deeper conceptual point: that objective truth not only exists but matters, even at a time when it's continually being trumped by superstition, 'feelings' and irrational belief." — Ann Hornaday, The Washington Post
The Brad Pitt Factor
"If Pitt's role in 'Moneyball' is more of a conventional star turn than his career-shifting performance as the stern 1950s father in 'The Tree of Life' (for which he emphatically deserves awards but won't win any), it's still terrific. He's on-screen in almost every scene, often filling it up in extreme close-up, and captures the bluff, buff and shrewd Beane, a washed-up jock who embraced an unorthodox statistical philosophy through sheer necessity, with great wit and physicality. (Let me throw in that 'Moneyball' is a delirious study of bad early-2000s guy fashions and haircuts, which may elude some of the audience but is definitely conscious.) Let me hasten to assure you that 'Moneyball' isn't all that much of a baseball movie, although fans of the national pastime will of course rush to see it. It's a prime Brad Pitt movie — arguably the prime Brad Pitt movie — and an American fable about a battered but lovable divorced dad who defies conventional wisdom and beats the odds." — Andrew O'Hehir, Salon.com
The Book-to-Film Comparison
"The big-screen adaptation of Michael Lewis' engaging 2003 book is also filled with compromises. Someone crammed 'Major League'-style sports clichés into a more nuanced story about baseball and progress — and then tried to fit a Brad Pitt star vehicle inside of that. The result is an interesting but frustrating near-miss. Chronology and context are mucked with liberally. This happens in almost every sports movie based on real events, although A's fans will be blown away that Tim Hudson, Barry Zito and Mark Mulder and their combined 57 wins in 2002 are scrubbed from existence here. Of the three, only Hudson gets a cameo, and he blows his start." — Peter Hartlaub, San Francisco Chronicle
The Final Word, Pro-Con Style
"Bennett Miller's' Moneyball' — adapted by Aaron Sorkin and Steven Zaillian from the nonfiction book by Michael Lewis — is a sports movie for people who don't like sports movies. I know this is true because I enjoyed it. ... Cinematographer Wally Pfister's deliberately unglamorous presentation of the A's dilapidated clubhouse is a long way from the gold-and-sepia tones of Barry Levinson's 'The Natural.' 'You can't help but be romantic about baseball,' Billy observes to Peter, even as he's being reviled by his own organization for his supposedly bloodless reliance on the stats. It's to the director's credit, and Pitt's, that 'Moneyball' is anything but bloodless — in its own quiet, unspectacular way, this movie courses with life." — Dana Stevens, Slate.com
"The downside of Pitt's triumph is that it unbalances the movie, throwing more of the focus on Billy than the team. To put 'Moneyball' over the fence, Miller and his writers needed to make something else hit home: the meaning of the on-base percentage. What does it say about a player who can't throw far, can't steal a base, rarely hits a ball over the fence, and yet can be as great an asset as a future Hall of Famer? Instead of answering that question — and dramatizing how wins can be built from unflashy players working in sync under a manager who understands 'small ball' — Miller shifts into montage mode (They won! They won again! They're on a streak!), as if Beane and Brand had written a computer program that was running to its inevitable conclusion. That, of course, leaves the team's manager, Art Howe (played by Philip Seymour Hoffman, maybe to pay Miller back for helping him win an Oscar in 'Capote'), a cipher, a nonpresence on and off the field. 'Moneyball' has everything but team spirit." — David Edelstein, New York
Check out everything we've got on "Moneyball."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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'We getting so sexy for the ladies on this album,' rapper tells Mixtape Daily.
By Rob Markman, with reporting by Steven Roberts
Fat Joe
Photo: MTV News
The O.D.: Fat Joe
Fat Joe's recent weight loss has the Bronx MC brimming with confidence. His last album, The Darkside Vol. 1, was a hard-nosed dedication to the streets led by his Jeezy collaboration "(Ha Ha) Slow Down."
For his next LP it isn't the Snowman who will lend the assist but Chris Brown. "We getting so sexy for the ladies on this album," the Don Cartagena told Mixtape Daily. "My first single that we're gonna drop in three weeks is me and Chris Brown, it's called 'Another Round.' It's crazy."
The Terror Squad leader won't completely abandon the streets, however. "I got a joint with Maxwell on the album, I got a joint with John Legend and [Rick] Ross, we're straight talking to the ladies. Of course I'm gonna give you some bop, bop," he said. "I thug 'em out on the sexy songs, but we're talking to the ladies on this one."
Through the years, Joe Crack has recorded hits with R. Kelly, Ashanti and Trey Songz. The rapper says that all of his collaborations begin with a feeling. "I will not collaborate or do a song with nobody unless I think it is a huge, huge event. I will not bother one of my friends," he said regarding his upcoming single with Chris Breezy, with whom he once toured Africa.
To prove his point, Joe mentioned Mary J. Blige. While the two have been friends for years, Crack hasn't reached out for a feature. "I have been dying to do a song with Mary J. Blige; she hangs out in my house, she's family," he said. "But I would not approach her with a record unless it's a smash-hit event."
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'It is the best college sex comedy I have ever seen in my entire life!' 'Moneyball' co-star Jonah Hill quips about 'In the Land of Blood and Honey.'
By Eric Ditzian, with reporting by Josh Horowitz
Angelina Jolie and Brad Pitt
Photo: Kevin Mazur/ WireImage
Damn, those two lovebirds are simpatico!
For a while now, we've been trying to get Angelina Jolie and Brad Pitt to dish details about her directorial debut, "In the Land of Blood and Honey," and his rumored cameo in the project. Last December, all Jolie would say about whether Pitt was involved in the film, a love story about a relationship between a Serbian man and a Bosnian woman in the lead-up to the 1992 Bosnian war, was this: "Possibly."
Taking a cue from his lip-sealed lady, Pitt was determined at the Toronto International Film Festival this week not to say a peep about "Blood and Honey."
"I will say nothing," he declared. "Nothing, nothing, nothing, nothing."
His "Moneyball" co-star Jonah Hill, sitting right beside him, was happy to fill the void. "It is the best college sex comedy I have ever seen in my entire life!" he cracked, before openly wondering, "I have no idea what you guys are talking about. It doesn't sound like a funny movie to me. What is 'In the Land of Blood and Honey?' "
We filled Hill in. The movie, which marks Jolie's directorial debut and is eying a December 23 release, "illustrates the consequences of the lack of political will to intervene in a society stricken with conflict," according to a press release from distributor FilmDistrict.
"Oh, OK, sorry, it just sounded like a serious movie," he said by way of explaining his joke.
All of which led to Pitt correcting us that it wasn't just directed by his girlfriend. "And written. Written by," he made it known. "I'm not bragging."
Check out everything we've got on "In the Land of Blood and Honey."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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Cameron Diaz Cameron Richardson Camilla Belle Carla Campbell
Them Crooked Vultures make their debut with a post-Lollapalooza set.
By James Montgomery
Dave Grohl (file)
Photo: Jewel Samad/AFP/Getty Images
Officially, Lollapalooza ended Sunday night in Chicago's Grant Park, with dueling sets from the Killers and Jane's Addiction. Unofficially, it ended very early Monday morning, across town at venerable rock club the Metro, with a surprise show by Them Crooked Vultures.
To the unfamiliar, the Vultures might seem like an odd choice to close out Lolla weekend ... until you realize that they're made up of Foo Fighters frontman/ former Nirvana drummer Dave Grohl, Queens of the Stone Age mastermind Josh Homme and Led Zeppelin legend John Paul Jones. And their gig at the Metro was their world premiere.
According to some reports, the Vultures actually turned down Lollapalooza founder Perry Farrell's request to replace the Beastie Boys as headliners at the festival, opting to debut in front of some 1,100 super-psyched fans at the Metro, rather than 75,000 in Grant Park (tickets for the gig were announced via Foo Fighter/ QOTSA fan clubs). Meaning that, in a lot of ways, this was the most sought-after ticket in town.
Taking the stage just after midnight, the Vultures — Grohl on drums (of course), Homme on guitar and vocals, Jones on bass and keys and frequent QOTSA contributor Alain Johannes on guitar — ripped through 12 songs in 80 minutes, all taken from their upcoming debut, which may or may not be called Never Deserved the Future, and may or may not be hitting stores on October 23 (early "promo" videos touting both those facts were revealed over the weekend to be hoaxes perpetrated by QOTSA fans).
The songs, with appropriately Homme-ian titles like "Scumbag Blues," "Mind Eraser (No Chaser)," "Caligulove" and "Interlude w/Ludes," sounded pretty much how you'd expect, given the band's pedigree. They rocked, hard — Chicago Tribune critic Greg Kot described them as "fresh, invigorating and just plain nasty" — delving off into psychedelic, reverb-filled excursions and exploring proggy territory, "both of the old-school Yes variety, and the more modern Tool flavor," according to the Chicago Sun-Times' Jim DeRogatis.
It's not known if Monday's Metro performance was a one-off event for the Vultures — there have been whispers of a full-blown tour, but a spokesperson for Homme had not responded to MTV News' request for comment at press time. Nor was it clear whether or not they'll have an album out in October.
Early Monday, a Crooked Vultures Twitter account, which had previously posted links to the band's official-looking Web site and the Metro's online ticketing site — posted a link to what appears to be the group's first bit of official merchandise: a Deserve the Future T-shirt. Cost: $30.
Related Videos Related Photos Related ArtistsHoliday collabo is called 'Falalalala,' group reveals to MTV News.
By Jocelyn Vena
Boyz II Men
Photo: MTV News
After a photo surfaced online of Justin Bieber and Boyz II Men singer Shawn Stockman in the studio together, Beliebers were pretty excited about the Christmas track they were putting together. Bieber had his musical heroes in mind when he heard the song — called "Falalalala," the group revealed to MTV News — for his upcoming holiday album.
"He thought we'd be perfect for it," Stockman said. "And we went in and locked in."
When the Boyz stopped by to talk about their October album Twenty, Wanya Morris recalled meeting the teen star for the first time way back before they all worked together.
"We met him in the hotel, at the Le Montrose, in L.A. and the dude, he had a cast on at the time," Morris remembered. "And he stepped up and said, 'Oh my God! Boyz II Men, you're my favorite group!' And we're like, 'Oh, OK,' and at the time, we didn't know who he was. He was a new dude, and the next thing you know, he's huge. And I'm like, 'That's the same guy!' "
Bieber was a fan of Boyz II Men from when he was a kid, but there was one track that wasn't allowed in the Bieber household.
"He told us his mom didn't want him to sing 'I'll Make Love to You,' so he'd sneak and go sing it somewhere," Morris said. "It's also good to know we've influenced such a good artist. It's something that makes us feel we've accomplished [something and] we're doing our job, [that] a guy so young and so into his craft [is] influenced by three guys from Philadelphia that love to sing."
What are you expecting from Bieber and Boyz II Men's Christmas collabo? Let us know in the comments!
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Nicki Minaj, Ke$ha, Selena Gomez also make fashion splash on red carpet, as showgirl style rules at the Las Vegas event on Sunday night.
By Jocelyn Vena
Taylor Swift at the 2011 Billboard Music Awards
Photo: Jordan Strauss/ Getty Images
On Sunday night, some of the biggest names in the music industry hit up the Billboard Music Awards in Las Vegas and decided that sparkles and sequins make for the perfect additions to any red carpet get-up. Well, it is Sin City after all.
Taylor Swift always seems to bring some of that Nashville sparkle to any red carpet. She arrived at the show in a pale-hued, sequined Elie Saab gown. Nicki Minaj showed off her signature sense of style in her baby-blue, body-hugging spandex Mark Fast catsuit.
Selena Gomez turned up the style dial in a sexy, cut-out black Dolce & Gabbana gown that she paired with red strappy sandals with sparkly bow detailing. Like Gomez, Ke$ha opted for some cut-out detailing in her sparkly, slate-gray dress with tulle skirt. Rihanna looked white hot in her men's tailored Max Azria suit, which she kept sexy and feminine by not buttoning her shirt all the way.
Fergie went S&M chic in her little black bandage-type dress by Hervé Léger. Nicole Kidman also wore black. She paired a casual braid hairstyle with a long black gown and Keith Urban. British pop cutie Kyle Minogue looked funky in her little black lacey dress. Inside the show, Britney Spears sat in the audience wearing a skimpy black dress of her own, her hair in loose curls, with little-to-no accessories.
While some stars kept the color scheme low-key, Keri Hilson decided to stand out in her billowy little yellow dress paired with a turquoise-colored belt. Kelly Rowland showed off some of her best assets in a body-hugging, bright pink bandage dress.
The fellas also looked tight on the carpet. Joe Jonas wore all black with white sneakers, Ne-Yo paired his periwinkle suit with a Yankees cap and Justin Bieber wore black tuxedo pants with a gold-lamé tuxedo jacket.
Which stars' styles caught your eye at the Billboard Music Awards? Tell us in the comments.
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Raising Sand, from Led Zeppelin vet and bluegrass superstar, wins five Grammys on Sunday night.
By James Montgomery with MTV News staff
Alison Krauss and Robert Plant accept the award for Album of the Year at the Grammy Awards on Sunday
Photo: Kevin Winter/ Getty Images
"I'm bewildered," Robert Plant said onstage as he accepted the Grammy Album of the Year award with Alison Krauss on Sunday night. "In the old days we would have called this selling out, but it's a good way to spend a Sunday."
He was probably one of the few who were surprised, because Raising Sand, which won five trophies at Sunday night's show, is in many ways the perfect Grammy album. It features two respected veterans, a critically lauded producer, some sandpaper-and-velvet vocals and a baker's dozen of time-tested standards.
You're probably familiar with Robert Plant from his Led Zeppelin days, and you might be aware of producer T-Bone Burnett's work on the "O Brother, Where Art Thou?" soundtrack (it won the Grammy for Album of the Year in 2002). And if you don't know who Alison Krauss is, she possesses a haunting set of pipes and is one of the meanest fiddle players in the world. Oh, and she's won 21 Grammys, more than any other female artist and the seventh-most in history.
Really, she's the key to Sand's success, and not just because of her voice (or her fiddle playing). She and Plant first met in 2004, at a Rock and Roll Hall of Fame tribute to legendary bluesman Leadbelly, and the former Zeppelin man was amazed by her knowledge of American Roots music — so much so that they began kicking around the idea of recording an album together. Three years later, Sand was released.
And while Plant possesses the more famous voice, the album's finest moments radiate from Krauss. Whether she's getting bluesy on Little Milton's "Let Your Loss Be Your Lesson" or entwining with Plant's husky voice on songs like "Please Read the Letter" and Roly Salley's winsome "Killing the Blues," she more than carries her end of the bargain.
And perhaps that's also due to producer Burnett, who handpicked the 13 songs the duo cover on Sand. His arrangements are sparse — giving the two voices ample room to breathe — yet dense, warm and crackling at the same time. It's a testament to his work that he's often given just as much billing as Plant and Krauss on the project ... and it's certainly justified.
To date, Sand has sold more than 1 million copies, heaped tons of acclaim and actually earned a Grammy last year — "Gone Gone Gone (Done Moved On)" took home the award for Best Pop Collaboration With Vocals.
One expert was surprised not by the album's success, but by the fact that it's actually quite a good album.
"At first, the album seemed like a vanity project. ... Two names, clearly a one-off record, didn't have to be any good, you know?" New York Times music critic Jon Caramanica said. "Led Zeppelin fans would buy it because of Robert Plant, Alison Krauss would get a check. But it actually turned out to be a really thoughtful, really good record. So when you combine all that with the fact that the Grammys love to lionize one of their own, I could really see it taking home some awards."
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Find out what happened backstage at the 2011 MTV VMAs.
By Kara Warner, with additional reporting by Matt Elias and Jim Cantiello
Beyoncé
Photo: Jason Merritt/Getty Images
For all the unforgettable moments that occurred onstage during the VMAs on Sunday night, there were just as many equally amazing happenings that went down behind-the-scenes. Thanks to our VIP connections, MTV News had access to everything that happened before, after and during the live broadcast. Therefore, in no particular order, we are proud to present five moments you didn't get to see:
Gaga's Gentlemanly Behavior Leaves Celebs Starstruck
As is her M.O., Lady Gaga's presence at the VMAs was a highlight in and of itself, and every celeb who encountered her had a wide-eyed story to tell of his/her encounter. Particularly Foo Fighter Dave Grohl's first introduction to Gaga as her alter ego Jo Calderone.
"I got to meet her for the first time tonight [as Jo Calderone]," Grohl said of meeting Gaga when he went to say hello to Queen guitarist Brian May, who performed with her during the show. "I was like, 'Brian May, what's up!' and she was right next to him and I said, 'Hi, I'm Dave,' and she goes 'I know who the f--- you are!' Yeah, it was rad."
We spotted Kanye West, Lady Gaga, Britney Spears and more hanging out backstage!
Another Gaga-centric highlight occurred during one of the commercial breaks, when Gaga as the confident ladies' man Jo Calderone (or Gago, as Twitter users tagged him last night) took a cigarette from behind his ear, lit it and smoothly passed it to Adele.
'Jersey Shore' Stars Make Friends Everywhere They Go
As part of the MTV family, the stars of "Jersey Shore" have become welcome additions to any and all of our awards shows. We witnessed the ladies of Seaside Heights — JWoww, Snooki and Deena — palling around with new BFF, none other than "High School Musical" star Vanessa Hudgens. Later on we spotted them crossing paths with Jared Leto, which produced the following exchange: JWoww to Jared Leto: "Wow. I'm a huge fan! 'The Kill' is my favorite!" Leto: "Thank you so much!" Snooki, once they had passed the 30 Seconds to Mars frontman: "Aah?" To which Jenni replied, "That was Jared Leto. Don't you know who Jared Leto is?!"
Tyler, The Creator's Accidental Stage Dive Sends Him Into Unlikely Arms
Immediately following their win for Best New Artist, the many members of Odd Future and their assorted entourage were trying to shuffle off the circular stage, when suddenly there was a loud noise and everyone in the audience in the right section gasped. It was clear from the commotion that a member from Future had fallen off the stage. When the dust finally settled, we saw two unexpected heroes holding frontman Tyler, the Creator up: Kanye West and Kid Cudi.
Go behind-the-scenes with Wiz Khalifa, Kreayshawn and more at the VMA Pre-Show!
"It was really hard, but [the tears] came out when I fell offstage into Kanye's arms," Tyler half-joked as he processed the emotions surrounding his win and his almost fall.
Jay Z And Beyoncé Celebrate Baby News
Arguably the newsiest moment of the evening occurred when Beyoncé announced that she was pregnant, with a not-so-subtle rubbing of her belly at the end of her performance. Immediately following the big moment, Beyoncé and Jay-Z were enveloped backstage by ecstatic well-wishers including Kanye West, Kelly Rowland and Michelle Williams. One of the sweeter of those moments was when Jay stepped outside Beyoncé's dressing room, to allow her some time with her female friends to gush and squeal over the news. The proud and sweet smile on his face when he did so made for our favorite VMA warm fuzzy moment.
BONUS: VMA Recap With MTV News' Jim Cantiello MTV News correspondent Jim Cantiello does many things well, but his 60-second recaps of important events in pop culture are a must-watch. Check out Cantiello's super-speedy recap that includes analysis of Gaga as Calderone, what gets a hard-to-impress Justin Bieber to applaud VMA performers and Beyoncé's big announcement.
The 28th annual MTV Video Music Awards have wrapped, but the real action is just getting started! Stick with MTV News for winners, fashion pics, video and behind-the-scenes stories about everything that went down. Visit VMA.MTV.com for the latest.
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